french kitchen a&r is proud and excited to announce its next release, a various artists ep of the label aimed to celebrate the fifth anniversary of its famous cocobeach party, outdoor crazy events on sundays during summer season in paris since 2010. this time a little bit more house music oriented, the compilation is a fine selection of 8 tracks of friends and actors of cocobeach party since already a long time such as christian burkhardt, sable sheep, chris lattner, … and residents like sucré salé, jay call. a little foretaste of what your sunday afternoon could be at this little french kitchen garden of eden. discover the preview of this compilation and let yourself go with the delights of summer electronic music recipes!

after the first success story dubaptism are returning with their second vinyl release. this time with 3 original tracks that covers a wider range of techno. from dubby atmospheres to harder techno aesthetics. their good friend echonomist (rotary cocktail, high strings) is on the remix duty for this one and he managed to do a great job by setting extra groove and dancefloor energy to the original track. comes in a blue/green smokey marbled vinyl in limited numbers so hurry up!

limited release on brown vinyl, featuring tracks from rahaan, the owl, matt hughes and ed wizard & disco double dee.

after his album at disconnected moments a while ago, smallville regular stl presents a new 12. within the 2 tracks, stephan laubner meanders along the crispy raw ways, always with the special groove that makes him stand out from everything youve heard. only stl knows how to keep this tension. welcome to euphoria.

* couleba* gets reworked by heidelbergs groove ambassador, move d, and razor-n-tape boss, jkriv. the respective versions blend the analog players society s west african instrumentations and soaring vocal talents of missia saran diabate into a chugging atmospheric dub and a throwback boogie jam flush with jkrivs guitar chops.

london deep house, heavily influenced by jazz and dub. three master- pieces of house-groove minimalism for the foggy, hazy clubs of today and tomorrow

the original version is nothing short of a classic, but its as if the song had never been invited to a louie vega post-midnight global extravaganza. was the song not aware that spellbound dancing and high bpms were the standard for house music? normally, such a blaring disregard for nightlife decorum would relegate a song to the pits of sonic hell, but we’re talking about george clinton here! the original opens up with a g-funk groove that screams westside and lowriders. the listener is then blessed with clinton as he adds his sage, soulful and pimpadelic vocals, complemented by funkadelic singers asking him about the pains of the funk. the semblance of a beat that could drive the dancefloor into the morning hours is there, but in no way has it blossomed into its full glory. enter louie vega.

mystical ukrainian label present they second work. amazing hypnotic and minimalistic groove bombs by ivanov.

big with dixon, the drifter, alex niggemann, fur coat, thugfucker, frankey and sandrino. -sketches of pain- is a meet-up of two cultures which have been at war with each other for thousands of years. music unites where the world of men divides! here the magical voice of egyptian singer ahmad elsawy can weave its spell. intelligent electronica, ethnic and acoustic instruments, all join together once more to blend two worlds into one universal language. 3 remixes. luca bacchetti continues his series of endless remixes preferring a mostly dub feel with a version that retains some of the original elements, creating that tension culminating in what is the “suspended” sonic idyll that lately has characterized his breakdowns, by now a trademark of his. jon charnis, who we already know for his work on innervisions and all day i dream, has taken it in another direction to put together a true masterpiece, the tone here becoming more -trippy- with a pure afterhours atmosphere. the ever present and increasingly detailed groove add to that magic touch that has made charnis one of the most interesting techno artists on the american scene. last but not least one of our favourite techno artists, eduardo de la calle, surprises us with an interpretation that distances itself completely from the original, moving it into that enigmatic, mysterious and unregulated territory that is definitely his very own unmistakable way of living and feeling techno music. an ep that we expect will come-out from indoor clubs to find its best expression in exotic locations, deserts, beaches, dimensions that are part of that imaginary world that we call: endless.

a fifth edition of the mosaic split series arrives, pairing up productions from anne errez and clandestine, the production duo consisting of uk house/techno mainstays, neville watson and justin peace division drake. errez, of course, featured on the previous edition of this series and it s clear the leeds-based artist has made an impression on steve o sullivan with her tough stabs and dub flecked groove of * discovery inn* a perfect fit for mosaic. complementing this, the clandestine project looks to be a most promising endeavour for watson and drake on the basis of their two searing contributions with the urgent machine funk flex of * slave to the system* a proper highlight.

having checked our records, its been a few years since the shelves at juno were graced with some music from the studio of italian dub techno exponent fabio scalabroni, so the arrival of a new 12inch brandishing his work is cause for celebration. the rohs! records label operated by belgium-dwelling compatriot andrea porcu is who we can thank for coaxing some new cuts out of scalabroni with the roots ep suggesting he s lost none of his production verve. root a will appeal to fans of the punchier tracks from the giegling discography whilst the b side track has a real slinky vibe to the groove that really gets in your head and stays there

parasol dance embodies the musical headway and fruition fabio experienced exploring different soundscapes and rhythms in his london based studio this last year. the crisp analogue cuts in the album are peppered with monesis organic evolution from the new jersey sound drawing inspiration from jazz, funk and even acid/jackin house, all the while never faltering on the end product of raw undulating grooves.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
summer of my life joins newcomer and alumnus, closed paradise and b.g. baarregaard. the title is a cheeky reference that sidesteps youthful sentiment with a nod towards middle age. b.g. establishes the mood with his impeccable balance of sample and synthesis with the loopy, upbeat astarjatning and the carefree, balearic astargardurinn. closed paradise produces original disco with sheer panache weaving sample and groove with slight melancholic tones across breakin down and wolf sisters. whiskey disco #40 exemplifies our roots and future, a constant evolution of modern disco and vintage edits.

the third release on the society of silence label offers 2 new tracks from the french duo, and remixes from london based ivvvo and italian duo die roh (aka sagats and dj octopus) rounding up a perfectly crafted analog techno and raw house ep. the opening track « 8th » with abrasive percussion, fueled by atmospheric synths, followed by «first section » a crawling beat, tape sounds seeping in, surrounded with twisted synths.b side remixes by ivvvo submerges us in deep exploration, with throbbing minor melodic keys and whispers, the remix of die roh a stirring groove with analogue warmth.

vinyl only! two bass heavy killer house tunes, incl two more techy locked grooves, ltd 2015 repress

after previous releases on hija de colombia, el nino andres (here credited as el nino only) debuts on new vinyl label called jackie brown. jackie brown aims to release series of mini lps, providing conceptual music stories, while at the same time not neglecting the main consequence of good house music – dance groove. house music infected with funk, soul and boogie grooves – we are not inventing nothing new, we’ve been inspired by many labels that came before. el nino delivers first story on our label, and in our humble opinion shows the very best side of house music with a groove and soul. though not all tracks are lengthy and floor ready, they make a great ensemble on “no boogie nights”, while tracks like “odds against tomorrow”, “thieves in the night” and “something ain’t right” work great on their own. everything is rounded up with amazing artwork from maximilian moser.

the people behind the amazing mareh festival in brasil (the southern hemisphere s answer to electric elephant), drop yet more top drawer music as their label journey continues to gain strength. set in the lush settings of bahia where day blends into night and sun into moon, mareh continues to attract some first class artists from around the world to release on their imprint. the second release kicks off with glasgow based production wizard the revenge letting loose a late night groove that takes a blissful string sample and then works it for the dance floor. it s top stuff from the man with the roaring grooves. and rumours have it that the revenge himself will be headlining at this year s legendary nye event in bahia alongside tim sweeney, pete herbert & dicky trisco. next up is berlin based disco and house aficionado eddie c who drops an uber cool, cut up disco chugger that is likely to work your sunset and early morning sets to the max. mareh favourite pete herbert then steps up to the controls and delivers an upbeat, balearic dance floor banger that hits all the right notes and then hits them again. you can almost smell the hierbas on this one! last but not least, tokyo based englishman max essa delivers an electronic ode to late night dancing and early morning dips as he joins the dots between the tokyo underground and the fresh bahian surf. wonderful stuff. so mareh really are out to pull in a truly global sound to their label outing with glasgow, berlin, london, ibiza and tokyo all represented as well as their spiritual homelands sao paulo, and of course the place where it all happens each new year... bahia.

the fourth release from palms & charms sees the return of label co-owner barnaby bruce, ruminating on the perils of fine fabric care. we ve all been there – a lengthy session on the dancefloor playing havoc with the pile of your velvet coat. faced with this dilemma, barnaby reaches for the battered volume, passed down through untold generations of his family, detailing archaic yet uncannily effective methods for extending the life of even the most exquisite textiles. as he does so, the percussive jazz-tinged boogie of sweat on velvet takes over his mind, unleashing a wave of dancefloor euphoria. not to be outdone, pete herbert (reverso 68), unveils his own masterful fabric care techniques, providing a remix that will starch your collar and shake out the creases. not the same clothes, but something brand new. freshly attired, barnaby begins to notice curious and somewhat unsettling noises coming from the next room. he gingerly opens the door, and is confronted with a seance in full swing. strangers sitting around his dining table wait with baited breath for word from the other side. but the unearthly howling of tortured spirits is quickly silenced by the devilish groove of seance fiction. as the arp makes its entrance, every soul is up and dancing. finally, barnaby bruce also provides the eminently useful go go percussion dub of sweat on velvet – rounding out a sartorially elegant ep with something for everyone, from sceptics to lost souls.

above machined return after their extra special debut 10- outing (and something of a secret weapon !) just over a year ago here we have another mighty 10- platter featuring a side cut bad runner a nicola bruni rewire featuring luca cacciatore on sax. it s an irresistible mediterranean groove, which is far more dirty cocktails & dark corner deals than it is vest and linen slacks - think don carlos meets the vincent montana orchestra on the flip we re treated to the dazzling slo-mo communication breakdown where twisted tongue takes on a library rarity and transforms it into a balearic masterpiece ! the above machine stamp of quality all over this one - limited 10- release

the second release on kitjen is yet another dance maxi that is destined to not leave your bag for a long time . the a-side features ondulè a track by our friends tambien from munich. its irresistable groove stretches over 8 minutes, supported by twirling percussions and flickering synth sounds - a piano chord drops every now and then to keep you grounded. until finally, the ends elf-like scats take you away for good. flip sides to find kornèl kovàcs work his remix magic. hear a stripped down version of the original that builds slowly to develop an epic drive with dark melancholic chords and thriving baseline, guaranteed to get some hands in the air at clubs and festivals around the globe. kitjen hopes you enjoy this summer gift

for the third whole truth ep, the nameless producer is joined by la vocal duo lucid paradise, comprised of ishtar and e. da boss (the latter is best known as the deep-voiced half of stones throws myron & e). on *party down* extends the direction of the tom noble mix of myron & e s *do it disco*, bringing beautiful modern soul vocal stylings to a limber groove that could have graced west end records in 81. the pair also duet on *who s taking all the love?*, while the whole truth flexes his dub muscles and drops some deeply burnt chords. this ep follows releases on the whole truths self-titled label in collaboration with uk dub legend erroll bellot and anglo-mauritian producer, singer and vocalist mo kolours, which found favour with the likes of optimos jd twitch and mary-anne hobbs (bbc 6 music).

the seventh release on alan fitzpatricks explore, search and discover label. alan fitzpatrick recruits fellow south coast hero, aubrey (ostgut, mosaic, solid groove), to provide the soundtrack on this techno heavy release. backed with a superb remix from berlins henning baer (grounded theory) this is a vinyl only release.

the latest various artists ep from fuse london s infuse imprint features labels stalwarts rich nxt & seb zito kicking things off with the deep and moody *serve* whilst pat ondebaaks *one* delves deeper still with its deliciously hypnotic vibe. on the flip, ant & ferro up the energy levels a notch with the quirky little roller *toasted* and rounding off the ep, inner provides *mascota arlechin*, a fresh tech tinged groove.

hand-stamped whitelabel, repress of the 2014. on the third release by rote liebe, marquese combines ambient soundscapes, a sun-drenched breakbeat workout and groove-centered house to form a versatile release. rote liebe is a cologne-based collective, founded in 2006 with a focus on events in various off-locations and clubs around the city. 2013 marked the launch of the rote liebe label with the aim to build a catalogue which features a broad musical spectrum, featuring house, techno, broken beat and experimental electronics just as the regular rote liebe nights.

athens of the north presents two of the disco floaters from our previously unreleased aotnlp original friends and buddies, both of these versions are on 45 for the first time. the stripped down version of silence that you keep benefits from the more direct tight vocal. without the synths there is much more space in the mix which suits the melancholy deep disco groove so much better. on the flip po man has also been stripped right back to its more basic elements also for the better, less is so much more.

iib reach their 40th release with label stalwart max essa s latest ep. feel the machine is a protohouse groove with touches of italodisco. chugging bassline and cowbells making it a real dancer. panapolean dreamer is a more downtempo beat driven affair with eastern strings on a mellow new beat vibe. the second side starts with tall shadows walking home. again max explores the proto house sound all smothered in lovely electronic melodies. twenty types of dusk relaxes the tempo again. trademark max essa balearic. a killer ep. to celebrate 40 12inch releases.

new kids on the family! from malta arrives two masters of deep house. owen jay & melchior sultana. pure groove and elegance is what overflows in all of their tracks. last year they release a lot of top tracks on labels like minuendo recordings, moods & grooves and also work on their own acclaimed label batti batti. with this level of production, could not miss a top remixer. and for this occasion troubled kids has an eminence of deep house. kai alce owner of ndatl muzik. giving the final touch to this ep with a smooth remix perfectly combined with the sensual voice of reine kabban. it will be a must in your suitcase

with sounds as smooth as butter and grooves as juicy as jam fillings, joe the baker gill has cooked up two fondant slabs of disco funk right here. theres a sweaty post-punk sheen to cant explain thanks its slaphappy bassline, fuzzy guitars and sultry vocals. mamba gascoine, meanwhile, is a foggier, swampy slice of cosmic, dub-minded funk designed for the darker, heads-down moments. remix-wise the everreliable emperor machine step forward with two epic, 10-minute workouts that explore every possible corner of joes jiggling, party-friendly groove.

welcome back, okain! after his praised collaboration with onno resulting in their conjunctional triple o ep samuel thalmann a.k.a. okain is about to unleash four brand new tunes on his forthcoming upon.you-single coma. with the title track coma our french friend masterly crafts an enthrallingly bouncy mother of a tune walking the fine line between house and techhouse, serving swirling hi-nrg synth modulations and super ecstatic vocal bits for those who like to get into the groove. this track is prime time heaven for all clubbers out there

raw and oldschool infected bouncing house by times are ruff. huge back in the day vibes on this amazing 4 tracker. perfect for the summer. 180 gramm vinyl. shrinked.

dj spider, dj qu and joey anderson collaborator dakini9 is back on new york’s plan b recordings with a hot solo ep, and the girl means business. four tracks of raw, gritty house music from the street: “find myself” features danny watts on the vocals and a wavey, dubbed-out collection of sounds, “wali” is similarly contorted and grey-scaled albeit for the lonesome piano keys travelling across the arrangement. over on the b-side there’s the head-nodder that is “potentiation”, a punchy and direct dub-house chugger, and the stumbling groove of “strawman”, the oddest and most daring of the four cuts.

dani casarano & felipe valenzuelas melisma imprint returns with opaco. the original mix by felipe venegas is very distinct with its wide open and subtle pads, which together with the floating groove sum up to a very relaxed and still demanding atmosphere. birdsmakingmachine in their remix shrink this up a bit in favour of a perpetual jack - -bmminimal- style so to say.

this release captures kicks, rhythms, and snares—only to drag them kicking and screaming into a metallic underworld. in j. tijn’s echo-sphere, there are only allusions to the status quo of sound and beats, and never a full-fledged embrace of the conventional. on side a’s “kanon v.i.p.” a grizzly digital war is left to play out between both kick and snare, with grainy battle lines drawn around upbeat and downbeat. survivors of the conflict are rewarded with a groove reminiscent of grime, if only the genre had been reborn in a dystopian future. side b opens with a roughneck beat on “mor” before turning its hand into a fist and effectively destroying its own image. the groove lives through this barrage of sound, but as a heavy and dark undercurrent just strong enough to remind you where j.tijn’s roots are. “shy” lures you in with a rounded electro kick, before glutting the rhythm and ushering in a wall of sound. a snowstorm of screaming drum samples proceed to surround you: you may have been here before, but you are somewhere rhythmically unseen. embedded in all of these tracks are perhaps a sign of the times: the things that used to be seen as normal have now changed and mutated.

as the music is research, pisetzky loves to get deep into bass lines of different sound dimension. his style is always powerful and melancholic, moving hearts and minds into multi layered soundscapes. he started producing in 2010 with the name fabiano valli as sound designer for fashion brands. since late 2013 he turned his profile into pisetzky, inspired by a growing milans techno scene, he started to realise his attitude into being active part of the project just - this. he already proved his musical research for the biggest europe festivals stages ( off sonar week, ade, amore, barrakud ), as in the finest clubs and parties. in the darkness of his studio or even on the hottest dancefloors, pisetzky shakes deeply souls and bodies with his dogged rhythms.

swedish underground powerhouses mr tophat & art alfie return to bass culture with their second ep for the label after the phenomenal success of their first outing, which picked up strong support from across the scene, particularly from ricardo villalobos. this time around, they drop two hefty slabs of disco-tinged house imbued with their own distinct flavour throughout. ‘dub the rub’ pumps along with an infectious groove, tough percussion powers along with a rolling bassline. watch out for the vocal-led breakdown midway through, killer! on the flip, ‘fnatt’ works around a more traditional melodic house motif, tender and bright with a lush b-line and captivating vocals made to move your body and soul.

after the series of caribbean related releases, emotional rescue returns to the early 80s downtown nyc post punk / new wave scene with plus instruments collecting their best and rarest songs on one groove laden ep. 4 tracks of pure downtown punk-dub-funk, all with the nonchalant euro-style delivery of truus de groot. it doesnt get better than this. coming with extended unreleased versions, the originals were collected from sought after eps, an obscure compilation lp and fiishes with a never before released song, this is history. licensed and remastered for aural pleasure

michael l penman s lazy boy opens up proceedings on a dark and hypnotic tip with dreamy pad lines, modulating bass tones and weighty distorted rhythms. belgium s igor vicente reworks lazy boy next and provides a more reduced take on things with sparse percussive elements and menacing atmospheres. on the flip side scott kemp turns in sirma , a subtly unfolding groove-led number built around stripped rhythms and soft synth flourishes, while sascha dive rounds off the package by reshaping sirma into a brooding, seven-minute mesmeric workout.

the peer pressure ep from the under-rated mark forshaw finds scenery records once again highlighting the rich strain of local production talent in the liverpool area. involved in the merseyside scene since the 90s, forshaw has released on labels like mathematics, tabernacle and apartment and is also a member of phantom planet outlaws with john heckle and binny. if you ve checked forshaw s prior output you will be happy with peer pressure as soon as the grubby, jacked up house of the title track hits its groove, with his four other cuts heading down a similarly unpredictable path. kudos to scenery for seeking out swedish producer daniel andreasson to remix the title track too! this is another no nonsense ep from scenery that is lovably rugged and unpredictably creative

ltd to 300 copies... for its eagerly awaited 11th release, unclear records present giulio etiope feat. giak & hester. the riverside ep sees the klang club residents deliver 3 super stylish tracks backed by a manic remix by gerry read, a mind blowing musical experience that stands out once more as a true masterpiece on the labels catalogue. title track * riversides* classy piano chords and kaleidoscopic mood bring up colourful visions, while the gerry read remixs staccato groove and improvisational stop & go swings are purely jazz inspired, surrounded by free flowing sounds and a pounding speedy beat. * summertime* is built around a steady tom-and-shaker groove, with atmospheric vocals and dreamy pad melodies, while * e15 2rg* is introspective and dark, its aqueous percussions slinking off with time stretch effects.

reset robot is back on truesoul with an exquisite 4 track ep. exploring his signature deep and funky tech-house vibes, reset robot has used percussion and synth stabs to create a deep, underlying groove throughout this ep. tickled with hooks throughout the ep, there is a defining character within each track, in particular lost in a duvet with its unique piano hook that you will stay with you for days.

tangible sound is a brand new record label based in london and paris. over the past few years they have operated on both sides of the channel by throwing intimate parties in unique locations. the maya ep marks their first vinyl offering with two deep and hypnotic tracks from cntrl. the title track * maya* is an upbeat, peak time jam that revolves around a bouncy baseline, intricate drum work and strange sound effects which are sure to melt minds on and off the dance floor. * sound of modulation* is a psychedelic and pensive journey though minimal techno. complete with artwork from astrid de la forest, this release will appeal to those that like their music, stripped back and ultimately about the groove

oniris returns with new ep on astropolis records. this 4-track maxi includes a gregor tresher remix and has been composed with the same ingredients that made his the fame of the producer: a melodic techno and a smooth universe in which groove accents coexist with more obscure sounds.

fumiya tanaka s double-tracker >beautiful town< was fully inspired by its cover artwork: a set of carefully selected old pictures with a layer of masterful signature paintings by romanian artist and fine-arts student bonjour bonsoir. a-sides >abacus avenue< is the ep’s most dense and eerie side. an addictive piece that utterly succeeds in sucking you right in like a vortex would. the locomotive bassline serves its purpose of movement in a strong loopy groove, while the pads and poltergeist y sounds reformat our heads with an inability for space-time tracking. the otherside of this town, >himegami marathon<, is another mysteriously intricate work. its a microcosm of grooves, sinister details and voices locked in a tight groove built on a single bass stab and a flowing, never-ending set of wet claps. a piano kicks in at key points, alongside percussive elements, reminding us that this town is alive.

seit seinem debüt 2013 hat jesse tijn seinen platz in der elektronischen welt gefunden. der harte technosound des londoner djs und produzenten ist rau und erbarmungslos. als kernmitglied von untolds label pennyroyal veröffentlichte tijn auch auf overlee assembly, power vacuum und bedouin records. für die elfte veröffentlichung des labels naked naked präsentiert j.tijn zwei versionen von *pick your battles*, die den dancefloor zu einem unwiderstehlichen groove ein wenig zerhackstücken. für fans von breach, dj deep, midland, dusky, lorca, viers, cinnaman, glimpse, bicep und ben sims.

presented in 5mm spine, ltd edition full-artwork colour sleeve which fits parts 1-3. having scored on mosiac, bodyparts and project london, kashawar returns to autoreply to complete his critically acclaimed moments & lost memories series. here the young german star steps up with time cures a hook driven weapon possibly paying a slower respect to mills purpose maker releases. mpc style swing infects the groove on rise and shine adding soothing vocals and subtle acid lines to side a. flip the disc for deep, funking atmospherics on knotting and spheres adds some of kashawars early morning dub magic to the package. look out for repressed parts 1 & 2 to complete your collection!

point g is back with a double pack of goodies to riot the summer , * you* is that kind of raise your hands deep and stormy cut that is the perfect an apocalyptic sunrise mood where * air* sets a dronish meditative vibe on a super fat beat with a heavy sub bass when * strike a pause* is that carnival vogueing oriented groove , * adg* is a tribute to a deep groove the radio show that alex from tokyo, dj deep and dj gregory had in 94 in paris on a week midaymix very stompy jersey styl , then your all set , summer s here

drawing from the leftfield avant-pop of arthur russell and talking heads, progressive disco of nile rodgers and contemporary ambient electronica, retiree channel these influences through their own pervasive aura of rum-drunk antipodean sunshine. the result is music that is in equal parts lush, thoughtful melody and meditative tropical rhythm. the ep sees joint international release from peckham label rhythm section international who released the instant classic debut of al dobson jr, and were nominated for label of the year at gilles peterson s 2015 worldwide awards, as well as purveyors of southern hemisphere groove-driven underground pop, plastic world (gl, savoir).

this is the 2nd volume of the soul and groove selection, an original, unprecedented, soul/funk music. .
a few years ago the world discovered a unique sound coming from the distant ethiopian capital addis abeba. the emotional blow was only matched by the brightness of this original and magnificent discovery. the ethiopiques series directed by francis falcetto and edited by buda musique provides a comprehensive landscape of this subtle musical universe where local and western cultures do magnify each other. this new ethiopian urban modern music release follows the first soul & groove installment and keeps revealing some essential parts of the modern ethiopian puzzle. an unequalled soul funk signature until today.

up first, juice machine is a barreling cut with pinging drums that ride up and down in infectious style. carefully treated vocals echo up top and add a dub flavour as subtle rave horns and old school motifs also colour the groove. when remixed by re.you, the track becomes a more subdued, deeper cut with spraying synths and a sense of late night paranoia in the grooves. lastly, badass acid is a minimal cut with warm pads, hiccuping sine waves and a growing sense of synthetic tension. it s a masterful bit of slow burning craftsmanship that has icy hi hats to die for.